Discography
Aaron Novik: Berlin (2019)
Berlin (EP) released October 18, 2019 Aaron Novik - bass clarinet Kyle Bruckmann - oboe, english horn Crystal Pascucci - cello Lisa Mezzacappa - bass Jordan Glenn - found object percussion recorded by John Finkbeiner at New,...
Roscoe Mitchell Orchestra: Littlefield Concer...
Wide Hive Records "Recorded March 19th and 20th 2018 in the Littlefield Auditorium, Mills College, where Roscoe has held the chair of composition, once held by esteemed composer Darius Milhaud for over a decade. Encompassing intriguing instrumentation with fully...
Splinter Reeds: Hypothetical Islands (2019) N...
“… It’s hard to think of another reed ensemble project that drives so relentlessly.” Peter Margasak, Bandcamp Daily
Surplus 1980 Collectiv Ensembl w/ G.W. Sok: F...
“. . . maar daarnaast door de jazzy, avant-garde en post-punk stukken ook aan Palinckx, The Residents, Dog Faced Hermans en Už Jsme Doma. . .”
Lisa Mezzacappa: Glorious Ravage (2017) New W...
New World Records 80793 Fay Victor, voice; Nicole Mitchell, flute; Kyle Bruckmann, oboe and English horn; Vinny Golia, alto flute, sopranino saxophone, bass clarinet, contralto clarinet, bass saxophone; Cory Wright, B-flat clarinet, tenor saxophone; Darren Johnston,...
Rova | Bruckmann | Kaiser: Saxophone Special ...
Clean Feed Bruce Ackley soprano sax | Steve Adams alto and sopranino sax | Larry Ochs tenor and sopranino sax | Jon Raskin baritone, alto, sopranino sax | Kyle Bruckmann analog synthesizers | Henry Kaiser guitar This is not the first time we hear ROVA – the...
Degradient: Dear Everyone (2017) Not Two
Not Two 955-2 - double CD DEGRADIENT Kyle Bruckmann oboe, English horn, electronics, composition Aram Shelton alto saxophone, clarinet, bass clarinet Jason Hoopes electric bass Jordan Glenn percussion with Weston Olencki, trombone; and 99 readers, featuring Danishta...
Dana Jessen: Carve (2017) Innova
“. . . a contemporary improvised bassoon sonata, with an elastically-scaled virtual wind ensemble made up of composer/oboist Kyle Bruckmann’s multiply recorded oboe and bass oboe forming the backdrop for Jessen’s elegant solo lines. . .”
sfSound: collected works | collective work (2...
“Over the past decade, sfSound has explored the territory between the concert hall and the experimental music underground. sfSoundGroup, the organization’s performing ensemble, is a fluid collective of multi-faceted interpreters and composer/performers dedicated to innovative collaborative work. . .”
Splinter Reeds: Got Stung (2015)
The debut album from Splinter Reeds, featuring six new and recent works by composers Marc Mellits, Erik DeLuca, Ryan Brown, Kyle Bruckmann, Ned McGowan and Jordan Glenn.
stunp: Gebrauch (2015) Onyudo
stunp is the moniker under which Kyle Bruckmann produces technological Gebrauchsmusik not overtly hostile to potential dancefloor applications. While stunp tracks share many aesthetic characteristics, formal concerns, and generative processes with other projects most notably including the ongoing Technological Music series, they alone unapologetically employ genre-appropriate means of production, and as such are specifically optimized for social dancing contexts.
Technological Music Vol. 2 (2015) Entr’...
A series of calculated disasters wherein compositional intent is exercised to varying degrees before and/or after the moment of performance. The Irreproducible Results are single-pass, unedited improvisations featuring borrowed gear configured to maximize complexity and minimize predictability. The remainder are heavily edited constructions utilizing detritus of the aforementioned experiments, with the Pulse Matrices continuing a game of formal telephone begun on Vol. 1.
stunp: Uncle Monkey EP (2015) 530Techno
stunp is the moniker under which Kyle Bruckmann produces technological Gebrauchsmusik not overtly hostile to potential dancefloor applications. While stunp tracks share many aesthetic characteristics, formal concerns, and generative processes with other projects most...
Jorrit Djikstra: Music for Reeds and Electron...
“As a saxophone player and composer who has integrated electronics in my music for many years, I wanted to experiment with the reed quintet – typically a classical chamber music format – by opening it up with improvisation and electronics… it ended up as a curious assemblage at the intersection of electronic music, noise, free jazz, and modern chamber music.”
Wrack: …Awaits Silent Tristero’s ...
“…Wrack is currently supporting what might be its greatest achievement: . . .a four-part suite inspired by the novels of Thomas Pynchon. Bruckmann embeds fast-flying tropes and melodies from classic jazz in his shape-shifting compositions—a kind of nod to Pynchon’s referential gamesmanship—and Wrack negotiates the tricky tunes with its usual breathless precision, adding a satisfyingly off-kilter swing and infectious sense of fun that I’ve never heard from the ensemble before.” (Chicago Reader)