“Lozenge are too unruly to be indie rock, too sensible to be grindcore and too damn good to be unjustly heaped into the overcrowded and underappreciated pigeonhole that is noisecore… Lozenge’s world is one where beer-barrel polkas slam headlong into caterwauling prog-metal and improvisational jazz riffs.” (Jason Jachowiak, Splendid)
“The music builds up a head of steam, but it never reaches a point where a predictable continuity of momentum is achieved. Instead, it feasts on irregular movements, serrated edges, and explosive outbursts of sound that are the product of the imaginative minds of the players.” (Frank Rubolino, One Final Note)
“And is a collection of duets pitting his oboe, cor, suona (a Chinese double-reed instrument) and raita against the cream of Chicago improvisors. . . Where Bruckmann’s first album showcased his virtuoso playing, And reveals he’s just as capable of virtuoso listening.” (Dan Warburton, The Wire)